I'm looking for a decent pair of headphones to use for studio/recording purposes.
17 replies, posted
I play and record guitar and I've wanted a decent pair of headphones that would allow me to create the best all round mix.
So to kind of describe what I mean by that is nothing that overly emphasizes any part of the audio. Most of the headphones I've tried are FAR too bass heavy which is fine for just listening to music but not when your are trying to make it sound the best for everyone.
If you wanna hear how my music sounds now you can look on my Youtube: [url]http://www.youtube.com/user/Chainz45[/url]
I've looked at the Audio-Technica ATH-M50's which seem to be the best I can find for my sort of price range. They seem pretty good based on the reviews I've read on Amazon.
Since I've started making music I've been using my pair of Sony MDR-EX50's for this but I've decided I wanted something more professional moving forward.
I wouldn't want to spend more than around £150 if possible.
Thanks.
If you're ready to mod some headphones using tutorials then go ahead and buy the Fostex T50RP
I have them modified and are my favorite headphones I've ever had. You'd need to EQ the bass and highs a bit though, at least I did in my case. Maybe your ears are very different.
Thanks man, I'll take a look at those aswell.
I use Shure 440s and I really like them, especially for the price (about a hundred bucks). For double the price, I've heard really good things about the 840s as well. Apparently they have a much more accurate frequency response for bass.
I just got some Skullcandy Crushers. They're pretty awesome for only $100, but I feel like they're more for electronic type music, which is what I make. Try going into your local music/electronic store and testing the ones they put on display, that's how I found mine and knew I wanted to buy them.
Thanks for those suggestions, I'll take a look at them.
If you want comfy ones try the beyerdynamic dt 770 (80 ohms) out. Clearest headphones I ever had on my head, they are slightly giving more clarity in the highs than other headphones but are totally neutral in the frequency spectrum. When recording mixing and mastering metal music I can totally rely on them. Also they nicely and evenly make sub bass notable and also make it easy to hear when lows or subs are to loud (mix pumping or distorting).
[editline]17th January 2014[/editline]
Also using an baritone prs in C#1 (Bass octave, 8 string tuning) in my recordings.
[QUOTE=Darkslicer;43569165]If you want comfy ones try the beyerdynamic dt 770 (80 ohms) out. Clearest headphones I ever had on my head, they are slightly giving more clarity in the highs than other headphones but are totally neutral in the frequency spectrum. When recording mixing and mastering metal music I can totally rely on them. Also they nicely and evenly make sub bass notable and also make it easy to hear when lows or subs are to loud (mix pumping or distorting).
[editline]17th January 2014[/editline]
Also using an baritone prs in C#1 (Bass octave, 8 string tuning) in my recordings.[/QUOTE]
Cheers man, I'll look at those too. Big fan of your work by the way.
Another vote for the DT770s, I use them both live when I'm running FOH and also as a sanity check for the low end when I'm editing at home (No small room will ever have an accurate bass response without extensive treatment)
I have Sennheiser HD 448 and Shure 840, as well as the in-ear Shure 315.
I've used the Sennheisers for years when mixing, and they are very nice - especially in the high frequencies. The Shure 840s is much more even, though. Sub-bass is much more audible, and the highs are more laid back than the Sennheiser HD 448.
I would say go for Shure 840 if you can afford it.
it doesn't matter what headphones you have as long as you know how they translate. DT770s are probably your best bet though.
I've owned a pair of ATH-M50 for nearly a month now, and they work quite well. I listened to a few songs on it and was blown away.
Snip
[QUOTE=Mordi;43572946]I have Sennheiser HD 448 and Shure 840, as well as the in-ear Shure 315.
I've used the Sennheisers for years when mixing, and they are very nice - especially in the high frequencies. The Shure 840s is much more even, though. Sub-bass is much more audible, and the highs are more laid back than the Sennheiser HD 448.
I would say go for Shure 840 if you can afford it.[/QUOTE]
I'm using my Shure 535 IEMs for studio haha. I use them live, but I can't afford a decent pair of monitors for the studio, but those 315s should do the job, but the 535s are ridiculous, albeit a little uncomfortable if you wear them for a little too long, if OP is going to go for the IEM route, maybe consider getting custom moulds for them. Sennheisers are really nice though, I haven't had the chance to try out studio with the Shure 840s, but people do like them.
Also those ATH-M50's are really good as well.
I use KRK KNS 8400's, they're fucking great in my opinion, but some may disagree idfk
AKG K 271 MK II would be a nice choice, I'm pretty happy with them.
DT770s are WAY too fair when it comes to frequency respons. Their sounding is as close to actual as possible, which is good for mixing & mastering purposes, but not so great for general music listening.
I've got both the Audio Technica ATH-M50s and Beyerdynamic DT770s (80 ohms), here's a general list of pros and cons for each
[b][u]ATH-M50s[/u][/b]
[b]Pros:[/b]
- Highly portable (folds up, fits into a small included pouch)
- Less expensive than the DT770s
- Flat enough frequency response to mix with as long as you use references
- Tight bass without sacrificing clarity
[b]Cons:[/b]
- Puts emphasis on lows and highs, mids are slightly recessed
- Ear pads are pleather, can get sweaty, can dry out within a few months of regular use
- Soundstage is noticeably smaller than DT770s
[b][u]DT770s[/u][/b]
[b]Pros:[/b]
- Incredibly comfortable felt ear pads, will not fatigue you as other headphones can
- Best soundstage I've ever heard on closed headphones
- Very even frequency response, excellent for producing with
- Sturdy construction
[b]Cons:[/b]
- Tends to sell for more than ATH-M50s
- Resistance is 8x/2x higher than M50s (250 and 80 ohms respectively), meaning you'll need more power to drive them
- Frequency response is so even that some mixes/masters of songs can sound shittier than you're used to
- Cable isn't coiled on 80 ohm model, long cable can be a pain in the ass
Sony MDR V6 or any MDR series. They're pretty much an industry standard. The frequency response on them is pretty flat.
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