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Doing some prep work before I start doing commissions at a convention in Easter. Mind, this is just a 1½ hour sketch and I mainly focused on the torso so I'm well-aware the legs and feet are shite.
This was done entirely without any sort of reference, so I know some things could have been improved.
EDIT:
New art!
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Bump? D:
it's nice but doesn't deserve it's own thread...
Looks like morgan freeman.
Why you spent one and a half hours on this is beyond me.
I know right he should have worked a little bit longer this picture is pretty awesome and all from your head that's pretty good.
No, one and half hours for something like this is pretty much overwork.
And the boobs look horrid by the way. boobs follow gravity and all such things, on this one, it just looks like two mutilated oranges.
not everyone is a speed drawer, you gotta get a feel of things for things.
Why are you so harsh anyways, do you even draw?
[QUOTE=3v3ryb0dy;20447743]No, one and half hours for something like this is pretty much overwork.
And the boobs look horrid by the way. boobs follow gravity and all such things, on this one, it just looks like two mutilated oranges.[/QUOTE]
Usually when you wear this sort of clothes the breasts will be pressed against the chest so you don't have to worry about them jumping around and killing your back. 'Sides, they're not huge comic book breasts anyway.
I'm trying to experiment with new and different poses so half an hour of work with this seems fine to me. I'm no expert but I still want my work to meet my standards.
As for the face, I like to work with different facial types. I don't care about pretty or harmonic, I care about the people you can find around the real world. I know my skills limits me to caricature-like facial features but it's what I'm able to do for now.
They do that with breasts, but you took it bit to the extreme. It seems like someone is pintching them with giant, invisible fingers.
So you worked half an hour on it, that makes everything cool. Half an hour for this is really sensible. Considering you redid the torso a few times anyway, it's actually quite fast.
And face is the thing I like the best, actually.
[quote]not everyone is a speed drawer, you gotta get a feel of things for things.
Why are you so harsh anyways, do you even draw?[/quote]
I am not your mother. It's not my job to tell pretty lies. It's not my job to point out mistakes and make comments and constructive suggestions, either. But I do that because I'm bored. On this case no suggestions jump to mind, cause it's just, frankly, that good.
Okay I made something new where I've used a lot of light and shadow contrasts. This time it's a magician sort of thing.
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I really hate making new threads so I'll just stuff it in here.
I love that kind of shading.
It's quite awesome exept for the fact that you forgot collarbone and she is going so fast, that her right eye is lagging behind.
Ah shoot, didn't notice the eyes. Anatomy can be difficult at times. :/
As for the collarbone I'm not entirely sure what you're talking about? Do you mean it's not properly indicated or do you mean there's no logic anatomical space for it?
It's just not there. Neck comes out from a triangular hollow, indicated in the front by the collarbone.
[editline]09:27PM[/editline]
It's a really nice, dynamic, fluid drawing, but the lagging eye and the perfectly flat chest are just too noticable.
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