I work on a college TV show where we have a live band perform every week, here's my favorite vid yet

[Flicky]

We broadcast every Sunday night on both local TV and radio at 10 PM CST, with a different local band every week.

During the show, we have the regular broadcast cameras for the live version, but we also cut videos from camerapeople in the studio for the bands. This one is my favorite video so far:

[media]https://www.youtube.com/watch?v=z4l8Uj2VSR4[/media]

Thought this would be fun to share; hope you all enjoy!

[Akvai]

Pretty cool oldschool doom/stoner vibe going on there. The male vocal is real fitting, nice dirty guitar tone as well.
They do have some problems with syncing both vocals, and the female singer is having some trouble controlling her voice, which kind of takes away from the experience at parts. Overall it's pretty enjoyable tho.
Is this the audio you get from the live stream or is it mixed afterwards?

[Flicky]

[QUOTE=CupUp;52972725]Pretty cool oldschool doom/stoner vibe going on there. The male vocal is real fitting, nice dirty guitar tone as well.
They do have some problems with syncing both vocals, and the female singer is having some trouble controlling her voice, which kind of takes away from the experience at parts. Overall it's pretty enjoyable tho.
Is this the audio you get from the live stream or is it mixed afterwards?[/QUOTE]

It's mixed afterwards, though we also have people always making live adjustments during the show.

[Instant Mix]

[QUOTE=Flicky;52972943]It's mixed afterwards, though we also have people always making live adjustments during the show.[/QUOTE]

how're they going about it - directly recording the FoH mix or are you doing some sort of separate multi-track recording?

[Flicky]

[QUOTE=Instant Mix;52973139]how're they going about it - directly recording the FoH mix or are you doing some sort of separate multi-track recording?[/QUOTE]

I'm not entirely sure since I focus more on the video broadcast aspects of the show, but from what I've seen the live mixing happens on tracks independent of the raw input that's being recorded. The computer dedicated to handling all of the separate audio tracks at the same time (sometimes over 15 at once in cases of bigger bands we've had play) is one of the beefiest machines I've laid my eyes on in a college campus.