• Music Chat Thread V. No Cuberbullying pls
    15,823 replies, posted
king crimson sucks
yup. i gave them a fair shot tho that's what's important.
Compositional approaches Several King Crimson compositional approaches have remained constant from the earliest versions of the band to the present. These include: The use of a gradually building rhythmic motif.[84] These include "The Devil's Triangle" (an adaptation and variation on the Gustav Holst piece Mars played by the original King Crimson, based on a complex pulse in 5/4 time over which a skirling melody is played on a Mellotron), 1973's "The Talking Drum" (from Larks' Tongues in Aspic), 1984's "Industry" (from Three of a Perfect Pair) and 2003's "Dangerous Curves" (from The Power to Believe and the Level Five EP).[85] An instrumental piece (often embedded as a break in a song) in which the band plays an ensemble passage of considerable rhythmic and polyrhythmic complexity.[86] An early example is the band's initial signature tune "21st Century Schizoid Man", but the Larks' Tongues in Aspic series of compositions (as well as pieces of similar intent such as "THRaK" and "Level Five") go deeper into polyrhythmic complexity, delving into rhythms that wander into and out of general synchronisation with each other, but that all 'finish' together through polyrhythmic synchronisation. These polyrhythms were particularly abundant in the band's 1980s work, which contained gamelan-like rhythmic layers and continual overlaid staccato patterns in counterpoint. The composition of difficult solo passages for individual instruments, such as the guitar break on "Fracture" on Starless and Bible Black.[33] Pieces with a loud, aggressive sound akin to heavy metal music. The juxtaposition of ornate tunes and ballads with unusual, often dissonant noises (such as "Cirkus" on Lizard, "Ladies of the Road" from Islands and "Eyes Wide Open" from The Power to Believe). The use of improvisation. Ascending note structure (e.g. "Facts of Life", "Thrak").
so they just missed the boat on making a foundation of "good song" within their musical finobacci sneezing around
i have a meatspace friend who makes beats :D [media]http://soundcloud.com/clinton-cretcher/ghostslaying[/media]
Lay some sick rhymes over it, yo.
The release of In The Court Of The Crimson King (1969), the debut album by the King Crimson, heralded the golden age of progressive-rock. The magniloquent, symphonic sound of Ian McDonald's mellotron enrolled them in the neo-classical movement of Nice, Moody Blues and Procol Harum, but the psychedelic overtones, the medieval visions, the gothic atmosphere and the romantic pathos of the title-track and Epitaph set them clearly apart. What guitarist Robert Fripp and bassist Greg Lake penned were majestic ballads, not transcriptions of classical music. Moonchild was an abstract, futuristic poem in which the melody was less important than the soundscape, and the violent, syncopated, distorted jam of 21st Century Schizoid Man invented a new way to put neurosis into music. In The Wake Of Poseydon (1970) further explored the same ideas, increasing the degree of melodrama and the amount of sound effects, and Formentera Lady (1971) was the definitive tour de force of the band. The King Crimson had turned rock'n'roll upside down, repudiating the savage form while retaining the emotional content. When Yes drummer Bill Bruford and Family bassist John Wetton joined Fripp for a new, jazzier edition of the band, the sound veered towards harsh, strident, convoluted compositions such as Lark's Tongues In Aspic (1973) and brainy, cryptic, virtuoso albums such as Red (1974). King Crimson's third edition, featuring guitarist Adrian Belew and bassist Tony Levin, adopted an even more intellectual stance in compositions such as Sheltering Sky (1981). Robert Fripp never stopped recording stimulating music. Two collaborations with Brian Eno, notably No Pussyfooting (1973), several solo albums, notably Exposure (1979), the manifesto of his "frippertronics", two collaborations with Police's guitarist Andy Summers, notably I Advance Masked (1982), a collaboration with David Sylvian, The First Day (1993), were just the tip of the iceberg.
now we're talkin
[QUOTE=pie_is_good;43352509]The release of In The Court Of The Crimson King (1969), the debut album by the King Crimson, heralded the golden age of progressive-rock. The magniloquent, symphonic sound of Ian McDonald's mellotron enrolled them in the neo-classical movement of Nice, Moody Blues and Procol Harum, but the psychedelic overtones, the medieval visions, the gothic atmosphere and the romantic pathos of the title-track and Epitaph set them clearly apart. What guitarist Robert Fripp and bassist Greg Lake penned were majestic ballads, not transcriptions of classical music. Moonchild was an abstract, futuristic poem in which the melody was less important than the soundscape, and the violent, syncopated, distorted jam of 21st Century Schizoid Man invented a new way to put neurosis into music. In The Wake Of Poseydon (1970) further explored the same ideas, increasing the degree of melodrama and the amount of sound effects, and Formentera Lady (1971) was the definitive tour de force of the band. The King Crimson had turned rock'n'roll upside down, repudiating the savage form while retaining the emotional content. When Yes drummer Bill Bruford and Family bassist John Wetton joined Fripp for a new, jazzier edition of the band, the sound veered towards harsh, strident, convoluted compositions such as Lark's Tongues In Aspic (1973) and brainy, cryptic, virtuoso albums such as Red (1974). King Crimson's third edition, featuring guitarist Adrian Belew and bassist Tony Levin, adopted an even more intellectual stance in compositions such as Sheltering Sky (1981). Robert Fripp never stopped recording stimulating music. Two collaborations with Brian Eno, notably No Pussyfooting (1973), several solo albums, notably Exposure (1979), the manifesto of his "frippertronics", two collaborations with Police's guitarist Andy Summers, notably I Advance Masked (1982), a collaboration with David Sylvian, The First Day (1993), were just the tip of the iceberg.[/QUOTE] A nerd (adjective: nerdy) is a person, typically described as being overly intellectual, obsessive, or[B] socially impaired[/B]. They may spend inordinate amounts of time on [B]unpopular[/B], obscure, or non-mainstream activities, which are generally either highly technical or relating to [B]topics of fiction or fantasy[/B], to the exclusion of more mainstream activities.[1][2][3] Additionally, many nerds are described as being shy, quirky, and [B]unattractive[/B],[4] and may have difficulty participating in, or even following, sports. "Nerd" is a derogatory, stereotypical term, but as with other pejoratives, it has been reclaimed and redefined by some as a term of pride and group identity. [editline]30th December 2013[/editline] highlighted the important bits for u
is there mathematical formula to becoming the 21st century prog rock man like fripp bobert "fripperebonics" fripp esq.
[QUOTE=Daltino;43351532]so they just missed the boat on making a foundation of "good song" within their musical finobacci sneezing around[/QUOTE] yo man flaming isn't rad and you should be chill out
hi king crimson is pretty great ok
i ;ove my super soft beetles tshirt with the pre cracked graphic is dark heather grey and its american aparell i also wear cargo pants and chuck taylors and my mom got me a 3ds for christmas
[QUOTE=notlabbet;43355271]i ;ove my super soft beetles tshirt with the pre cracked graphic is dark heather grey and its american aparell i also wear [B]cargo pants[/B] and chuck taylors and my mom got me a 3ds for christmas[/QUOTE] you on that lunarcore wave boy? [editline]30th December 2013[/editline] [QUOTE=Clovis;43355242]my favourite bands are king crimson pink floyd dream theater and emerson lake and palmer all your music is gay[/QUOTE] why prog when you can posi? [editline]30th December 2013[/editline] [media]http://www.youtube.com/watch?v=ZBNSZQvP1PU[/media]
[QUOTE=Clovis;43355242]my favourite bands are king crimson pink floyd dream theater and emerson lake and palmer all your music is gay[/QUOTE] ok
[QUOTE=ThatCrazyGmanV2;43355560]you on that lunarcore wave boy? [editline]30th December 2013[/editline] why prog when you can posi? [editline]30th December 2013[/editline] [media]http://www.youtube.com/watch?v=ZBNSZQvP1PU[/media][/QUOTE] haha such a random band name i bet they smnoke a lot of ganja
[QUOTE=Dori;43357286]haha such a random band name i bet they smnoke a lot of ganja[/QUOTE] They are french so they are more likely so smoke a lot of cock. (I like this band tho.)
can someone recommend some horror music or something like that?
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] Blood On The Dancefloor
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] If you don't mind game soundtracks, both of the Amnesia games have excellent soundtracks and Darkness Within has a pretty good one too.
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] Nurse With Wound
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] Horror themed music, or literal horror music? Do you want the atmosphere or the lyrics to be horror?
[QUOTE=MrJazzy;43357504]If you don't mind game soundtracks, both of the Amnesia games have excellent soundtracks and Darkness Within has a pretty good one too.[/QUOTE] Thanks. Forgot the Amnesia soundtracks. [QUOTE=erfinjerfin;43357516]Nurse With Wound[/QUOTE] [QUOTE=Franke_R!?;43357489]Blood On The Dancefloor[/QUOTE] Thank you very much. [QUOTE=Calkkuna;43357519]Horror themed music, or literal horror music? Do you want the atmosphere or the lyrics to be horror?[/QUOTE] Horror themed and horror atmosphere.
anyone here like rap hop
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] Justin Bieber haha
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] [media]http://www.youtube.com/watch?v=FW-ZPTW4_IU[/media]
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] The OFF Soundtrack. [media]http://www.youtube.com/watch?v=7koXN8M6rZc[/media] [media]http://www.youtube.com/watch?v=-1EPegIzD2M[/media] [URL="http://www.rpg-maker.fr/index.php?page=ost&id=18"]heres a link to the soundtrack[/URL]
[QUOTE=Mamok Zalku;43359025]The OFF Soundtrack. [media]http://www.youtube.com/watch?v=7koXN8M6rZc[/media] [media]http://www.youtube.com/watch?v=-1EPegIzD2M[/media] [URL="http://www.rpg-maker.fr/index.php?page=ost&id=18"]heres a link to the soundtrack[/URL][/QUOTE] [QUOTE=Maw;43358963][media]http://www.youtube.com/watch?v=FW-ZPTW4_IU[/media][/QUOTE] Thank you very much lads. [QUOTE=Take_Opal;43358921]Justin Bieber haha[/QUOTE] You deserve medal, you made my day.
[QUOTE=RoblixWW2;43357347]can someone recommend some horror music or something like that?[/QUOTE] [media]http://www.youtube.com/watch?v=65368wvMUOk[/media]
[QUOTE=Take_Opal;43358921]Justin Bieber haha[/QUOTE] haha #rekt m8
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